Salome, 1907

Posted in Painting with tags , on December 21, 2014 by Dylan Thomas Hayden

Picasso as Minotaur

Posted in Pablo Picasso, Photo with tags , on December 21, 2014 by Dylan Thomas Hayden

Picasso as Minotaur2

photos by Gjon Mili, 1949

The House of Asterion

Posted in Pablo Picasso, Painting, Writing with tags , , on December 21, 2014 by Dylan Thomas Hayden

Pablo Picasso, The King of the Minotaurs, 1958

And the queen gave birth to a child who was called Asterion.

Apollodorus Bibliotecha III, I

I know they accuse me of arrogance, and perhaps misanthropy, and perhaps of madness. Such accusations (for which I shall exact punishment in due time) are derisory. It is true that I never leave my house, but it is also true that its doors (whose numbers are infinite) (footnote: The original says fourteen, but there is ample reason to infer that, as used by Asterion, this numeral stands for infinite.) are open day and night to men and to animals as well. Anyone may enter. He will find here no female pomp nor gallant court formality, but he will find quiet and solitude. And he will also find a house like no other on the face of this earth. (There are those who declare there is a similar one in Egypt, but they lie.) Even my detractors admit there is not one single piece of furniture in the house. Another ridiculous falsehood has it that I, Asterion, am a prisoner. Shall I repeat that there are no locked doors, shall I add that there are no locks? Besides, one afternoon I did step into the street; If I returned before night, I did so because of the fear that the faces of the common people inspired in me, faces as discolored and flat as the palm of one’s hand. the sun had already set ,but the helpless crying of a child and the rude supplications of the faithful told me I had been recognized. The people prayed, fled, prostrated themselves; some climbed onto the stylobate of the temple of the axes, others gathered stones. One of them, I believe, hid himself beneath the sea. Not for nothing was my mother a queen; I cannot be confused with the populace, though my modesty might so desire. The fact is that that I am unique. I am not interested in what one man may transmit to other men; like the philosopher I think that nothing is communicable by the art of writing. Bothersome and trivial details have no place in my spirit, which is prepared for all that is vast and grand; I have never retained the difference between one letter and another. A certain generous impatience has not permitted that I learn to read. Sometimes I deplore this, for the nights and days are long.

Of course, I am not without distractions. Like the ram about to charge, I run through the stone galleries until I fall dizzy to the floor. I crouch in the shadow of a pool or around a corner and pretend I am being followed. There are roofs from which I let myself fall until I am bloody. At any time I can pretend to be asleep, with my eyes closed and my breathing heavy. (Sometimes I really sleep, sometimes the color of day has changed when I open my eyes.) But of all the games, I prefer the one about the other Asterion. I pretend that he comes to visit me and that I show him my house. With great obeisance I say to him “Now we shall return to the first intersection” or “Now we shall come out into another courtyard” Or “I knew you would like the drain” or “Now you will see a pool that was filled with sand” or “You will soon see how the cellar branches out”. Sometimes I make a mistake and the two of us laugh heartily.

Not only have I imagined these games, I have also meditated on the house. All parts of the house are repeated many times, any place is another place. There is no one pool, courtyard, drinking trough, manger; the mangers, drinking troughs, courtyards pools are fourteen (infinite) in number. The house is the same size as the world; or rather it is the world. However, by dint of exhausting the courtyards with pools and dusty gray stone galleries I have reached the street and seen the temple of the Axes and the sea. I did not understand this until a night vision revealed to me that the seas and temples are also fourteen (infinite) in number. Everything is repeated many times, fourteen times, but two things in the world seem to be repeated only once: above, the intricate sun; below Asterion. Perhaps I have created the stars and the sun and this enormous house, but I no longer remember.

Every nine years nine men enter the house so that I may deliver them from evil. I hear their steps or their voices in the depths of the stone galleries and I run joyfully to find them. The ceremony lasts a few minutes. They fall one after another without my having to bloody my hands. They remain where they fell and their bodies help distinguish one gallery from another. I do not know who they are, but I know that one of them prophesied, at the moment of his death, that some day my redeemer would come. Since then my loneliness does not pain me, because I know my redeemer lives and he will finally rise above the dust. If my ear could capture all the sounds of the world, I should hear his steps. I hope he will take me to a place with fewer galleries fewer doors. What will my redeemer be like? I ask myself. Will he be a bull or a man? will he perhaps be a bull with the face of a man? or will he be like me?

The morning sun reverberated from the bronze sword. There was no longer even a vestige of blood. “Would you believe it, Ariadne?” said Theseus “The Minotaur scarcely defended himself.”

From “Labyrinths: Selected Stories and Other Writings”, ed. Donald A. Yates and James E. Irby, London: Penguin. pp. 170-172) via

Theseus Slaying the Minotaur, 1918

Posted in Drawing, Writing with tags , , , , on December 21, 2014 by Dylan Thomas Hayden

From “The Life of Theseus”

XV. Not long afterwards there came from Crete for the third time the collectors of the tribute. Now as to this tribute, most writers agree that because Androgeos was thought to have been treacherously killed within the confines of Attica, not only did Minos harass the inhabitants of that country greatly in war, but Heaven also laid it waste, for barrenness and pestilence smote it sorely, and its rivers dried up; also that when their god assured them in his commands that if they appeased Minos and became reconciled to him, the wrath of Heaven would abate and there would be an end of their miseries, they sent heralds and made their supplication and entered into an agreement to send him every nine years a tribute of seven youths and as many maidens. And the most dramatic version of the story declares that these young men and women, on being brought to Crete, were destroyed by the Minotaur in the Labyrinth, or else wandered about at their own will and, being unable to find an exit, perished there; and that the Minotaur, as Euripides says, was

A mingled form and hybrid birth of monstrous shape,

and that

Two different natures, man and bull, were joined in him.

XVI. Philochorus, however, says that the Cretans do not admit this, but declare that the Labyrinth was a dungeon, with no other inconvenience than that its prisoners could not escape; and that Minos instituted funeral games in honor of Androgeos, and as prizes for the victors, gave these Athenian youth, who were in the meantime imprisoned in the Labyrinth and that the victor in the first games was the man who had the greatest power at that time under Minos, and was his general, Taurus by name, who was not reasonable and gentle in his disposition, but treated the Athenian youth with arrogance and cruelty. And Aristotle himself also, in his Constitution of Bottiaea, clearly does not think that these youths were put to death by Minos, but that they spent the rest of their lives as slaves in Crete. And he says that the Cretans once, in fulfillment of an ancient vow, sent an offering of their first-born to Delphi, and that some descendants of those Athenians were among the victims, and went forth with them; and that when they were unable to support themselves there, they first crossed over into Italy and dwelt in that country round about Iapygia, and from there journeyed again into Thrace and were called Bottiaeans; and that this was the reason why the maidens of Bottiaea, in performing a certain sacrifice, sing as an accompaniment “To Athens let us go!”

And verily it seems to be a grievous thing for a man to be at enmity with a city which has a language and a literature.  For Minos was always abused and reviled in the Attic theaters, and it did not avail him either that Hesiod called him “most royal,” or that Homer styled him “a confidant of Zeus,” but the tragic poets prevailed, and from platform and stage showered obloquy down upon him, as a man of cruelty and violence. And yet they say that Minos was a king and lawgiver, and that Rhadamanthus was a judge under him, and a guardian of the principles of justice defined by him.

XVII. Accordingly, when the time came for the third tribute, and it was necessary for the fathers who had youthful sons to present them for the lot, fresh accusations against Aegeus arose among the people, who were full of sorrow and vexation that he who was the cause of all their trouble alone had no share in the punishment, but devolved the kingdom upon a bastard and foreign son, and suffered them to be left destitute and bereft of legitimate children. These things troubled Theseus, who, thinking it right not to disregard but to share in the fortune of his fellow-citizens, came forward and offered himself independently of the lot. The citizens admired his noble courage and were delighted with his public spirit, and Aegeus, when he saw that his son was not to be won over or turned from his purpose by prayers and entreaties, cast the lots for the rest of the youths.

Hellanicus, however, says that the city did not send its young men and maidens by lot, but that Minos himself used to come and pick them out, and that he now pitched upon Theseus first of all, following the terms agreed upon. And he says the agreement was that the Athenians should furnish the ship, and that the youths should embark and sail with him carrying no warlike weapon, and that if the Minotaur was killed the penalty should cease.

On the two former occasions, then, no hope of safety was entertained, and therefore they sent the ship with a black sail, convinced that their youth were going to certain destruction; but now Theseus encouraged his father and loudly boasted that he would master the Minotaur, so that he gave the pilot another sail, a white one, ordering him, if he returned with Theseus safe, to hoist the white sail, but otherwise to sail with the black one, and so indicate the affliction.

Simonides, however, says that the sail given by Aegeus was not white, but “a scarlet sail dyed with the tender flower of luxuriant holm-oak,” and that he made this a token of their safety. Moreover, the pilot of the ship was Phereclus, son of Amarsyas, as Simonides says; but Philochorus says that Theseus got from Scirus of Salamis Nausithous for his pilot, and Phaeax for his look-out man, the Athenians at that time not yet being addicted to the sea, and that Scirus did him this favour because one of the chosen youths, Menesthes, was his daughter’s son. And there is evidence for this in the memorial chapels for Nausithous and Phaeax which Theseus built at Phalerum near the temple of Scirus, and they say that the festival of the Cybernesia, or Pilot’s Festival, is celebrated in their honor.

XVIII. When the lot was cast, Theseus took those upon whom it fell from the prytaneium and went to the Delphinium, where he dedicated to Apollo in their behalf his suppliant’s badge. This was a bough from the sacred olive-tree, wreathed with white wool. Having made his vows and prayers, he went down to the sea on the sixth day of the month Munychion, on which day even now the Athenians still send their maidens to the Delphinium to propitiate the god. And it is reported that the god at Delphi commanded him in an oracle to make Aphrodite his guide, and invite her to attend him on his journey, and that as he sacrificed the usual she-goat to her by the sea-shore, it became a he-goat (tragos) all at once, for which reason the goddess has the surname Epitragia.

XIX. When he reached Crete on his voyage, most historians and poets tell us that he got from Ariadne, who had fallen in love with him, the famous thread, and that having been instructed by her how to make his way through the intricacies of the Labyrinth, he slew the Minotaur and sailed off with Ariadne and the youths. And Pherecydes says that Theseus also staved in the bottoms of the Cretan ships, thus depriving them of the power to pursue. And Demon says also that Taurus, the general of Minos, was killed in a naval battle in the harbor as Theseus was sailing out. But as Philochorus tells the story, Minos was holding the funeral games, and Taurus was expected to conquer all his competitors in them, as he had done before, and was grudged his success. For his disposition made his power hateful, and he was accused of too great intimacy with Pasiphae. Therefore when Theseus asked the privilege of entering the lists, it was granted him by Minos. And since it was the custom in Crete for women to view the games, Ariadne was present, and was smitten with the appearance of Theseus, as well as filled with admiration for his athletic prowess, when he conquered all his opponents. Minos also was delighted with him, especially because he conquered Taurus in wrestling and disgraced him, and therefore gave back the youths to Theseus, besides remitting its tribute to the city.

–trans. Bernadotte Perrin via

Salomé Montmartroise

Posted in Drawing with tags , on December 20, 2014 by Dylan Thomas Hayden

Jason and the Argonauts, 1918

Posted in Drawing, Poetry with tags , , , on December 20, 2014 by Dylan Thomas Hayden

From the “Argonautica”, Book II

[930] And straightway they went aboard as the wind blew strong; and they drew the sail down, and made it taut to both sheets; then Argo was borne over the sea swiftly, even as a hawk soaring high through the air commits to the breeze its outspread wings and is borne on swiftly, nor swerves in its flight, poising in the clear sky with quiet pinions. And lo, they passed by the stream of Parthenius as it flows into the sea, a most gentle river, where the maid, daughter of Leto, when she mounts to heaven after the chase, cools her limbs in its much-desired waters. Then they sped onward in the night without ceasing, and passed Sesamus and lofty Erythini, Crobialus, Cromna and woody Cytorus. Next they swept round Carambis at the rising of the sun, and plied the oars past long Aegialus, all day and on through the night.

–trans. R. C. Seaton via

Salome, 1991

Posted in Painting with tags on December 19, 2014 by Dylan Thomas Hayden


Get every new post delivered to your Inbox.

Join 647 other followers